Guild Publishing, 1989. A fine, unmarked copy in a near fine, lightly edge creased d/w.
2007. First edition. A fine, unmarked copy that presents as new.
1981. First edition. A near fine copy only marked by faint spotting to the top edge. The d/w is very good with superficial signs of wear only.
1990, Reprint. A very good copy with some evidence of previous ownership.
Australian Artist Publishing, 1995, First edition. A fine, unmarked copy that presents as brand new.
The Technical Press Ltd., 1959. Second revised edition. A near fine copy in brown boards. No d/w. Only marked by a previous owners name to the front free endpaper and light browning to the top edge.
1930. first edition. A near fine copy in blue cloth boards with minimal wear. No d/w. The top and fore edge are lightly foxed. The contents are very fine with no markings and the binding is excellent. A superior copy. Scans available if required.
1969. Reprint. A near fine copy only marked by light age tanning to the edges of the text block. No d/w.
Starting with the basics, readers are encouraged to work through each lesson in turn, enabling them to gradually improve their technique and gain in confidence. Alwyn Crawshaw explains each process clearly and offers advice and encouragement at eve... read more
2005. Reprint. A fine, unmarked copy.
1996. First edition. A fine, unmarked copy in a fine d/w.
1977. First edition. A very good copy in a very good d/w.