Rigby, 1978. First edition. A good copy marked by insect damage to the edges of the boards, light foxing to the top edge and a previous owners name to the half title page. The d/w is very good with light edge wear and a sticker mark to the base of the front panel.

1978. Fifth printing. A near fine copy only marked by light rubbing to the spine ends. The d/w is good with some edge wear and short tears.

With more than 300,000 copies sold worldwide in 15 languages, this newly revised and updated edition of 1001 Paintings You Must See Before You Die brings you right up to date with an incisive look at the world's best paintings. From Ancient Egyptian wall pain... read more

1945. Second printing. A fine, unmarked copy. No d/w. Scans available if required.

1984, First edition. A near fine copy only marked by light shelf rubbing to the wraps. This copy has been inscribed and SIGNED by the author to the front page.

The Worshipful Company of Vintners, 1996. First edition. A fine, unmarked copy in black cloth boards with silver gilt to the spine and front panel. A superb copy.

1990, First edition. A near fine copy only marked by light sunfading to the edges of the boards. The d/w is in good condition.

1976, First edition. A fine, unmarked copy in collectible condition.

Thomas Tegg, 1840. Corrected and revised New edition. A very good copy in boards with marbled paper coverings and blue cloth to the spine. The spine has paper labels for the title and date. The edges are age browned but otherwise this is a clean, unmarked copy in a strong binding.

Yang Xin Xuan Art Books Co., 1990. First edition. A fine, unmarked copy in a fine d/w. This copy appears as new and is presented in an as new slipcase. A heavy book so additional postage may apply. Scans available if required.

In this intimate portrait of the painter John Singleton Copley and his extraordinary times, award-winning Harvard historian Jane Kamensky gives "a wonderfully fresh and surprising perspective on the American Revolution" (Stephen Greenblatt), a world ... read more

Vermeer has always been considered the most elusive of great artists, but this work tracks him down in his home town. It takes the reader back to 17th-century Delft, and gives a portrait of Vermeer, the Protestant who married a prosperous Catholic girl and had 15 children, of whom 11 survived.

2001. A fine, unmarked copy in a fine, unclipped d/w.